There are times when I consider stepping away from social media altogether
Bohdan Linchevskyi—known as Low Communication—isn’t just a producer from Cherkasy, Ukraine; he’s a sonic storyteller whose music blurs the line between introspection and bold exploration. Drawing from ambient, krautrock, lo-fi, and orchestral influences, Bohdan’s sound is more than just genre-blending—it’s a search for belonging and meaning in a restless world. From his early days producing techno and electro as Skylined to his current soundscapes—rich with intricate drum breaks, analog textures, and evocative spoken word—Bohdan’s work resonates with the restless energy of modern life. His latest release on EC Underground has sparked comparisons to visionaries like Brian Eno and Burial, yet his art remains uniquely his own: layered, experimental, and driven by a quiet romanticism.
This new project is a testament to heartfelt storytelling and creative risk-taking. It also brings together six diverse remixers from the EC Underground roster—J-Lower, Evry, Eden Grey, DJ Track, Aderacid, and Lamebot. Each adds their own honest, personal touch, reminding us that creativity thrives on both change and collaboration. In a time when both our society and the music industry seem to be in constant motion, this project offers a humble invitation: to pause, to experience sound from a fresh perspective, and to find moments of calm amid the noise. At just 25, Bohdan is emerging as a thoughtful voice for a new generation, bridging gaps between genres, cultures, and hearts. We sat down with him to explore his creative evolution, the true meaning of collaboration, and how music can help us all find belonging in uncertain times.
Your sound has evolved from early techno and electro to the drum breaks and ambient textures on “12 AM Not For Sleeping.” What drives you to explore new directions, and how do you know when it’s time for change?
I never want to stand still—I’m always drawn to trying something new. When I feel I’ve understood a style of music, I like to recreate it in my own way and share the result. I keep things simple and only explore what feels genuine to me. This approach keeps me interested and allows me to develop my skills, while also helping me maintain a sense of individuality in a crowded scene. I no longer think different styles need separate pseudonyms; exploring various sounds under one name feels more authentic. I recognise it’s time for a change when I finish a project—rather than repeating myself, I prefer to move forward and experiment. Some say this might not be the best way to build an audience, but I’m happy to follow what feels right for me.
“12 AM Not For Sleeping” features six ECU remixers, making for a very diverse EP. How did you choose which artists to invite, and what is it like hearing your music reinterpreted by others?
Firstly, I was genuinely impressed by how many artists were interested in creating a remix and sharing their own interpretation of the tracks. I am very grateful to them for this, and I do apologise if I haven’t expressed my thanks properly before. I selected artists largely based on whether their style complemented the album I had recorded—it was actually quite a straightforward decision. If an artist had a similar sound, I thought, why not invite them? Listening to the remixes of my own tracks, I was delighted to hear how my melodies and breaks could be reimagined in various ways. Every artist brings their own perspective, so the remixes ended up being quite different from the originals. It’s almost like seeing a reflection of your creativity in an alternate reality. Of course, I feel very pleased to release my music alongside these talented artists. Ultimately, it’s a wonderful way to reach new listeners—and hopefully, it is mutually beneficial.
In a world where authenticity is both valued and commodified, how do your own experiences help you stay genuine and resist trends? Does your introspective approach as Low Communication respond to today’s hyper-connected world?
I create music, first and foremost, for myself—to express what’s truly on my mind, rather than chasing trends. Each album is shaped by a theme that captivates me at the time, and I follow it as long as I have the inspiration. For me, it’s about tracking my own growth and discovering more about myself, both personally and artistically. Low Communication is essentially a social project—a kind of drama, often dark but with moments of light. While I recognise the importance of maintaining a media presence these days, it’s not something I naturally gravitate towards, though I do my best. I feel social networks could be put to much better use than they are now. The project is still evolving and I’m not entirely sure where it will lead, but it certainly reflects the world’s complexities. My hope is to shape it into something more coherent and meaningful over time.
As a young artist facing the pressures of online visibility, how do you balance your creative voice with the demands of self-promotion? What do you hope listeners take from your music?
At the moment, I really only handle the promotion that the label requests, as I’m balancing two jobs and writing music in my spare time, which can be quite exhausting. I stopped actively sending my music out some time ago—I’ve always preferred to let people discover it naturally if it resonates with them. Of course, sending demos is a different matter, but self-promotion and maintaining a media presence aren’t my strengths right now, though I wish I was better at it. Perhaps it’s just a phase. I make music mainly for myself, because I enjoy it and it’s simply part of who I am. Releasing my work feels like the natural end point of my efforts, even if it’s unusual to put something so personal out into the world. What matters most to me is that my music stirs some kind of emotion in listeners—be it joy, sadness, or even discomfort. If it moves someone in any way, I feel I’ve accomplished something worthwhile.
With the industry expecting artists to be both open and ever-present online, how do you share your art authentically while managing digital demands? In your view, how can music provide calm or connection in such a restless world?
There are times when I consider stepping away from social media altogether, though I doubt I ever truly will. Nowadays, having an online presence feels almost compulsory, and posting updates can sometimes seem more like a duty than a pleasure. I’m genuinely grateful when the label handles their own networks—it makes things much simpler for me. Like many artists, I find self-promotion rather daunting and often worry about how my work will be received. It can be disheartening to see how much attention goes to content with huge followings, making it difficult for others to get noticed. There’s a constant pressure to be original and to understand what the market wants, even if that doesn’t always align with my own creative interests. At present, I’m simply following what inspires me, hoping to find a balance between staying true to myself and reaching more people. From my experience, music has a unique way of bringing people together—whether at concerts, clubs, raves, or even just in small bars. That feeling of connection is what I cherish most. I hope my music can offer a sense of calm and genuine togetherness to others, even in a world that often feels quite restless.