Dios A Ella
It’s the tenderness that hits first. A voice almost lullaby-like, wrapping around a story that could break you. “Dios A Ella” carries the weight of femicide, but Inez León doesn’t scream. She lets the softness do the work. That dissonance, between delivery and pain, makes the track impossible to shake.
Sung from the imagined voice of a higher power apologising to a woman taken by violence, the track turns the divine into something human, vulnerable, flawed. God admits guilt—not to excuse, but to witness. It’s a radical act of empathy, not just for the dead, but for those left living with questions that don’t have answers.
Born out of a year spent in Mexico, the song is part of a wider project that started as a personal reckoning. Inez had left behind a long relationship, returned to her roots, and began translating feeling into Spanish. Not for fluency’s sake, but for survival. In the hands of two local guitarists, what began as an emotional sketch became something sharper, more expansive.