Breaking the mould through Miami’s underground and beyond
In the pulsating heart of Miami's underground electronic scene, Lamebot emerges as a beacon of authenticity and innovation. His latest EP, "Only Way Out is Thru," offers a gripping excursion through jungle, drum & bass, and hybrid club sounds. More than just music, this three-track narrative delves into survival, transformation, and the unyielding journey of a dedicated artist. Featuring sharp remixes by ECU veteran Pablo Funk and Strange Bass collaborator MadSavvy, the EP highlights how unique artistic expression not only distinguishes an artist but also captivates a devoted following. Step into Lamebot's world, where his distinctive sound and daring stance inspire other artists to remain true to their creative visions amidst industry pressures.
What inspires you to break musical norms, and how does this shape your project with EC Underground?
Miami is already a mashup of cultures and sounds — you can’t walk down a street without hearing three rhythms bleeding together. That chaos feeds me. Honestly, I think I just have a short attention span. In big clubs, I zone out if the music gets stale. I’d rather be “too much” than predictable. For me, rebellion isn’t volume — it’s in the arrangements and progressions.
What's the most unusual sound you've used in your latest release, and what inspired its inclusion?
I like sneaking in sounds people don’t expect — little subversions that make you lean in. On this record, instead of the usual repetitive vocal chops, I built a chopped choir pad and treated it like I was cutting on a crossfader. It’s familiar but slightly off, which I love — you can’t just tune it out.
How do you keep your live performances fresh, and what new surprises can fans expect in your upcoming shows?
I never half-ass a set. For me, live shows are experiments. Miami crowds know I’ll never just press play — I’m chopping vocals live, looping percussion into something new, or blending two genres together until they click. Even if I repeat a song, I’ll flip it differently. I guess that’s how you end up with a USB full of edits.
How has the underground scene in Miami influenced your new music, and are there local elements that appear in your tracks?
Playing for crowds 1,000% changes the way you produce — you can’t fake it. I bring that back into my Ableton sessions, always trying to hook different audiences at once. That’s the Miami DNA. Like flipping from dnb to dembow on “Rebota Riddim.” The real Miami isn’t just beaches and bottle service — it’s sweaty warehouses, dark rooms, and bass that rattles your ribs. That’s the Miami I put in my tracks.
What advice would you give to artists who feel they don't fit into the conventional music mould, and how can they embrace their uniqueness?
The artists we love are usually the ones who stand out. So be that for someone else. Yeah, you’ll always need labels and genres to pitch yourself, but don’t water it down. I’d rather get real listeners and feedback for being me than fake love for fitting in. If you lean into your uniqueness, you’ll attract people who actually want that. It takes a while longer, but the connections are way deeper.